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Old Crossing Treaty Memorial, Chippewa Brave
Full-length cast bronze figure of a Chippewa brave standing barechested, his hair in two braids falling over the front of his shoulders. He wears breeches with an ankle-length shawl draped around his waist and over his proper left shoulder and arm.…
Chief Mon-Si-Moh
Chief Mon-Si-Moh stands holding an axe in his proper left hand. He wears a headband, with a plume rising from the top of his head and two black and white feathers coming up in an extended V behind his head. He wears a red, knee-length coat, with a…
American Gothic
"Bradley’s projections reformulate latent Native American stereotypes with complex interconnected cognitive images reinvigorating the history of art as intersecting webs." -- Museum of Contemporary Native Arts
Pow-Wow Princess in the Process of Acculturation
"Bradley’s projections reformulate latent Native American stereotypes with complex interconnected cognitive images reinvigorating the history of art as intersecting webs." -- Museum of Contemporary Native Arts
Kicking Bear
"Bradley’s projections reformulate latent Native American stereotypes with complex interconnected cognitive images reinvigorating the history of art as intersecting webs." -- Museum of Contemporary Native Arts
The Passage
"Bradley’s projections reformulate latent Native American stereotypes with complex interconnected cognitive images reinvigorating the history of art as intersecting webs." -- Museum of Contemporary Native Arts
Route 66 Postcard
"Bradley’s projections reformulate latent Native American stereotypes with complex interconnected cognitive images reinvigorating the history of art as intersecting webs." -- Museum of Contemporary Native Arts
American Gothic, The Farmer's Daughter
"Bradley’s projections reformulate latent Native American stereotypes with complex interconnected cognitive images reinvigorating the history of art as intersecting webs." -- Museum of Contemporary Native Arts
Earth Mother
"Bradley’s projections reformulate latent Native American stereotypes with complex interconnected cognitive images reinvigorating the history of art as intersecting webs." -- Museum of Contemporary Native Arts
Hearts
Yellow roses enclosed in red hearts.