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Chief Mon-Si-Moh
Chief Mon-Si-Moh stands holding an axe in his proper left hand. He wears a headband, with a plume rising from the top of his head and two black and white feathers coming up in an extended V behind his head. He wears a red, knee-length coat, with a…
Old Crossing Treaty Memorial, Chippewa Brave
Full-length cast bronze figure of a Chippewa brave standing barechested, his hair in two braids falling over the front of his shoulders. He wears breeches with an ankle-length shawl draped around his waist and over his proper left shoulder and arm.…
Norman County Soldiers' Memorial
A soldier stands in a relaxed position. He wears a helmet and military uniform with shirt sleeves rolled up. His proper right hand is at his waist, his proper left hand holds the barrel of a rifle with the rifle butt resting on the ground. The…
Arvegods
Abstract sculpture consisting of two, four-sided, textured forms (which may represent people or gods), mounted in the center of a circular base. Inlaid lights on the top of the base illuminate the sculpture. -- Smithsonian National Inventory
Ivar Aasen
A bust of Ivar Aasen, philosopher and poet, atop a tall granite base. -- Smithsonian National Inventory
Chief Bemidji
Chief Bemidji stands with his proper right hand raised to shield his eyes and his proper left hand holding a rifle, the butt of which rests on the ground. A small log is at his feet. The sculpture is surrounded by a low chain-link fence. --…
Leap of Faith
A man stands at the precipice of an abstracted and multi-colored tree-landform.
A Rock and a Hard-Place
A pile of rocks is held up between the two sprawling sides of a cavern. A man stands below the suspended rocks.
Man Power Act
Award-winning watercolorist and well-known local artist Kay Ornberg has created a large watercolor that expresses stunning beauty, a poignant message, and an innovative approach. The human figures loom large in the visual frame and sit strongly on…
The Right Stuff
I paint simple strokes. Strokes that mature into figures that are emphasized by the intentions of chiaroscuro. Using the contrast of light and shadow to highlight the essence of its focal point, resulting in loose but believable figurative oil…